People who talk about fusion music - melding elements of jazz, rock and classical music - may not realize that classical music began as a fusion of church music and party music.
Church services gave music a serious purpose, and showed composers the majesty of music made by many people. Music written for performance in royal courts, often in social settings, brought all the dances of 16th century Europe into orchestral music.
When the symphony gelled into its most common format during the 1700s when Haydn influenced a whole generation of composers, many dance formats could be adapted for orchestral suites, but the minuet became a virtual requirement for one of the inner movements of a four-movement symphony.
Classical music was evolving quickly in the very late 1700s and early 1800s, and several composers decided at about the same time that if one of the inner movements of a symphony was slow and one was fast, the fast one needed more energy than a polite dance like a minuet could supply.
That's when the scherzo replaces the minuet as the second or third movement. The word "scherzo" means "joke" in Italian so the idea was not merely an upbeat movement but a lighthearted one. Of course, Haydn had been putting little witty bits in various movements of various symphonies. Mozart did outright humor only occasionally, but liked the energy of a scherzo. Beethoven turned the scherzo into something that could be funny or forceful but always carried plenty of vigor.
The default format for a scherzo is ABA or ABABA, in which A is the scherzo part while B, in a different key from A, is the "trio section," quieter, different in mood and rhythm, usually with fewer instruments. As always with symphonies, most composers break at least one of the rules each time.
For instructional purposes, one of the best symphonic scherzos is in Beethoven's 7th Symphony. It follows the ABABA format very obviously, and it even has a joke at the end, where Beethoven modulates to the trio section key a third time, as if he's going for ABABABA, but after a couple notes he modulates back to the main key of the movement for a boisterous and rapid conclusion, as if to say, "Ha! No, I'm not going to waste your time after all!"
Another really good symphonic scherzo is in Tchaikovsky's "Little Russian" Symphony, in which Tchaikovsky creates two wonderful moods in the A and B sections, injects lots of energy, then morphs the mood with a few well-chosen changes to harmony.
On my radio show Saturday morning, I'll play scherzos from four Beethoven symphonies, five by Tchaikovsky, and others by Bruckner, Mahler, Nielsen, Barber, Mendelssohn and Copland.
Howard's Day Off is a program of classical music and related materials, packed in authentic juices, and presented live Saturdays at 5 a.m.-7 a.m. HST on KHPR Honolulu, KKUA Wailuku and KANO Hilo as well as streaming on http://www.hawaiipublicradio.org . Max Cacas of Washington, D.C., founded the Howard's Day Off Listener Appreciation Society on Facebook. All the music played on the program comes from Dicus's personal CD collection.
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