Hawaii tourism will probably slow this year -- the official forecast this week from the state was for slightly fewer visitors but a new record high in visitor spending -- but it most assuredly did not slow in January.
The wrap-up report on January tourism from the Hawaii Department of Business, Economic Development & Tourism said there were more visitors, more visitor days, and more visitor spending, than in the same month last year. Roughly 600,000 visitors spent roughly $1.1 billion.
Japanese arrivals fell 5% from year-before levels but Japanese honeymoon traffic actually increased. California arrivals eased but traffic from Portland, Seattle and Vancouver (where the Canadians fly from) all rose in double digit percentages. We also got more visitors from foreign countries other than Japan and Canada, and from east of the Rockies.
This is not to say we might not yet experience a serious slowdown. We get more Californians than any other brand of visitor, and the California economy is tanking. But most of our California visitors come from the prosperous coastal cities of the Golden State, while most of the state's economic problems come from the central agricultural part of the state including such cities as Fresno, Merced and El Centro.
What I'm trying to say is that there has not been any mainland economic development to impel mainlanders to cancel plans for a Hawaii vacation. We will begin to lose domestic visitor traffic if and only if mainlanders whose personal finances are strong begin to FEEL less prosperous because of everything they watch on CNBC.
Two-thirds of U.S. economic activity is consumer spending, much of it discretionary, so the mood of consumers isn't merely a touchy-feely thing, it's a concrete economic indicator with measurable effects on business.
After several shows at Kakaako Waterfront Park, the Pacific Handcrafters Guild has returned to its old home of years standing, Thomas Square. The crafters will encircle the huge banyan tree again this weekend.
The show runs from 9am to 4pm Saturday and Sunday with free admission and food and music as well as the crafters themselves, who do everything from garments to jewelry to woodcrafting to pottery.
The guild has been holding these shows for more than 33 years. Its July, October, November and December shows will all be at Thomas Square.
Ray Kane, 82, died Wednesday night at Kaiser hospital.
Kane died only a few days after his cousin Genoa Keawe. To lose both of these legends in less than a week shows the importance of something Kane stressed for years -- passing along musical techniques and traditions to the next generation so performance practices aren't lost.
Aunty Genoa was particular about getting the Hawaiian lyrics right; Kane was particular about slack key performers teaching their tunings to the young. When he was young, he had trouble getting anyone to teach him slack-key because musicians didn't want their tunings kapu'ed. Though understandable to a degree, this proprietary view of the tunings and techniques led to slack key almost dying out.
Ray Kane was determined not to let that happen. He loved teaching and did it whenever he could. This enriched modern slack key tradition for a couple reasons. For one thing, Kane favored a couple of tunings that not many others were using. For another, he favored a sweet, mellow style (and sometimes very lightly syncopated) without showing off.
Just listening to Kane probably made younger performers esteem that style more highly.
It probably didn't hurt that Kane was an amiable man who liked to tell stories. Sadly, that particular tradition hasn't carried over to all of the excellent young slack key performers. Maybe they'll pick it up eventually.
Genoa Keawe, one of the most important musicians in the history of Hawaii, died Monday at the age of 89.
Aunty Genoa was so influential on successive generations of performers in the islands that her musical family is as large as her own personal family, which includes 40 grandchildren, 98 great-grandchildren and 81 great great-grandchildren.
Aunty was usually praised for her superb falsetto style or her impossible breath control, but she also had an unusually large range of Hawaiian songs. And she told me a couple years ago that before she became a professional Hawaiian singer she was a jazz singer in the great age of Hawaiian swing. She found her way into Hawaiian repertory gradually after singing "For You a Lei" on the radio one day to mark her niece's birthday. After that, she said, her Hawaiian repertory, consisting of songs she had learned in her youth, gradually became the core of her act. By 1953, when I was born, Genoa Keawe, then 35, was appearing on the "Lucky Luck Show" and "Hawaii Calls." By 1969 she had her own record label.
Soon after I moved full-time to Hawaii, I brought my first wife Marilyn to a "Made in Hawaii" Festival and was intrigued to find that the most interesting thing she saw at the event was Aunty Genoa. Marilyn had been away for decades except for vacation stays and was delighted to see that Aunty, who was hot when she moved to Washington, D.C., was still singing when she moved back.
After Marilyn passed away and I remarried, I found that my wife Bernadette was a relative of Aunty Genoa -- whose son Eric is married, if I'm getting it right, to Bernadette's mother's sister's daughter -- and we were so pleased to have the Keawes join us for our wedding last year. Aunty slipped in so quietly I didn't even know she had made it until the end. (We had a wonderful reception party and the lone regret I have about it is that I didn't get to ask Aunty to sing -- she might not have brought her ukulele but Keith and Carmen Haugen were there and they had their instruments. Or the Honolulu Jazz Quartet could have backed them all up, which might have been a first.)
The news conference at the Waikiki Beach Marriott Monday was practically a family reunion, with dozens of relatives on hand, not to mention Raiatea Helm and Danny Kaleikini. My heart was so full I could barely ask a question and I noticed Billy V was the same.
But with people like Aunty, grief takes a back seat to happy memories. This was a woman who lived her life as she thought best, patient and genial and yet also capable of toughness when she felt it was appropriate -- several friends and relatives have mentioned how passionately she pushed singers of Hawaiian songs to make sure they got the words right. (One of the most enjoyable things about being nice to people is that when something arises that you feel passionate and uncompromising about, people happily pay heed.)
Eric Keawe checked his memory and said Aunty last performed in public at the Marriott on Jan. 31, though she sang with her visitors practically to the very end, and last Thursday, on her way home from the hospital, she stopped by the Marriott to enjoy her band performing with her granddaughter taking lead. In that make-up the band will continue to perform. Thus it is that sometimes a person can live on even in this life.
The hard news from the news conference: the family has a collection of private recordings of live performances, a gift from a family friend, half a century old and never released in any format, which are undergoing audio processing so they can now be put out on CD. What a fitting finale to the story of a woman so durable that her career lasted more than 60 years.
Even now, Aunty Genoa has one more album in her.
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